june 2015 sees the release of tubs n tongue-fu (son07lp) debut album by london three piece official burnt toast. adrian lawrence (mc / drums) patrick luke (production / bass) & abrar hafiz (bass) bring out their music on limited edition vinyl. delivering a lethal stream of conscious poetry over homegrown beats and boasting two live bass players, uk based, canadian mc - obt effortlessly meld elements of lo-fi hip hop, post punk and jazz. the album has many highlights and stand out tracks hitting a range of subjects and moods including the political *whats in a word* and *money as debt* (a damning depiction of our debt based economy) as well as the poetic and personal such as *425* and *titles on g street* (composed solely from old blue note titles).

nebraska’s 2011 displacement album became a mister sound system favorite, & a steady stream of unreleased music aimed at eamon & justin, ensued. now he joins the fam.

the third release on palms & charms comes from tokyo club stalwart masanori ikeda (mansfield, ikeda x), who has had previous releases on the legendary flower records and cos/mes imprint snaker. a resident dj at london club wag in the early 90 s, masanori returned to japan later in the decade and has since provided the soundtrack to many a tokyo night-time adventure, most recently with his continuing residency at shibuya institution oath. with afro tipsy, masanori offers up a monster of rolling percussion and pulsating synths. feel the stress of the day fall away, your veins flowing as if with the very energy of a thousand suns. moving confidently to the dance floor, your head and limbs begin to move in new and unexpected rhythms. don t be alarmed - you feel good. on the flipside, the remix from almunia (claremont 56) takes you deeper than deep. the sound envelops you as you enter the club. the continental winds and low pressure lift you aloft and you circulate around the dance floor, carried far as if on a warm jet stream. the rhythm drives, dubbed-out guitar echoing through the night. leonardo ceccanti and gianluca salvadori taking you to new places.

turn on, tune in and drop out - aficionado are back once again to fully adjust your frequencies. riding coastal breeze and gulf stream down from the north, swedish space cadets farbror resande mac made a positive connection with manchester s balearic chieftains and beamed aboard the ss nado for five boundless expeditions into distant sound space.

following 2013s fantastical heat crime, tim further explores his unique take on house music with two original tracks which make stylistic nods to the past but lead us elatedly to a place of uncommon and personal vision. on the a side we have squiggles, a late night piece of tentacled whimsy. a joyful frolic in a fishy stream under the stars and in the japanese garden of your soul.

ltd nice price bomb
tigersushi presents dye debut ep. dye is french, young and passionate. this ep was recorded in his bedroom within a few sleepless nights. a few analog synthetisers, drum machines and an mpc. no laptop, no midi. old school techniques for futuristic minimalistic electro. raw like a sushi. it s ghetto and it s deep. dopplereffekt meets sound stream in a razor blade fight.

following up from the stunning you will soon find that life is wonderful 12inch on phonicas special edi- tions imprint, sad city returns to the label with his new ep introduction to lisboa/ sloe. glasgow-based producer gary caruth has evolved a highly original sound deep, lush and widescreen electronics, from melancholic to ecstatic

graphene is once again proud to announce another new artist to the roster. lee holman has been building a great reputation with a solid stream of consistant floorfillers. adding to his steadly growing catalogue of high quality deep ritualistic techno lee is fast becoming and international star. here we have 4 tracks which showcase the range of his work which is deep, atmospheric, solid & pumping.

proud yorkshire label hudd traxx have been putting out a reliable stream of quality deep house since 2005, with artists like dj sneak, rick wade, iron curtis, jay bliss and agnes just some of the many names to appear on the label. this 46th release features three debutants, while the fourth name, j.t. donaldson, spearheads the release with a wishy-washy, bassline driven deep house vocal cut -got myself together-. hudd traxx provides dusseldorf producer maximiljan with his first physical release with the track -son of a- which merges the linear 909 house style of norm talley with smooth chords and cheeky vocals similar to the now defunct swiss house duo azuni. but most interesting for the label on this release, it s the two new names in professional gigolo and tuneon that prove hudd traxx still know where to look when it comes to unearthing new and vibrant talent.

belfasts dsnt records present mr jones reality check - the next instalment in a patient stream of course and intricate techno releases featuring remixes from inigo kennedy and and.

german producer and acid head the exaltics is back with a new ep on shipwrec that comes with a remix by unit moebius anonymous and terrific artwork by jaco putker. real name robert witschakowski, the exaltics is co founder of the solar one music label and has turned out a steady stream of eps and lps on labels like trust, creme organization and clone west coast series until now, always coming on strong with a dense techno style

some records are birthed through countless months or even years of studio hard yaka, drafts, followed by re-drafts, an eternal process of searching for that money shot musical moment. then there are albums that simply pour out of the collective minds of its creators more of a stream of consciousness and musical expressions that strategic beat creation

gene hunt is a prolific producer with an un-mistakable sound of his own. and although an originator of the acid house sound from chicago, he certainly didnt stop there. his music has naturally evolved over the years, often incorporating more mature melody and rhythm structures, but always in time with a proper underground style dance track. these tracks are a perfect fit for the direction and vision of the inner shift music label as well, and for this reason we are pleased to present you with planted seeds by gene hunt.

population one returns on metroplex. first appearing on juan atkins legendary imprint, way back in 96, and continuing to drop a stream of top notch releases for them ever since - it seems these tracks were made especially with the label in mind. less reduced than his work on his own label, terrence dixon delivers 4 amazing tracks on this firing ep.

first compilation on fs, just 250 copies, vinyl-only. these four funky, groovy, solid tunes will make you dance for sure.
this various e.p start with a cosmic transmission mixed with funky beats and keys by german vinyl junky jupiter tuning center. second track by label owner petr serkin is many filtered chords and guitars, keep the same vibes. on the b side, russian musician buzz compass, already signed releases on glenview and no more hits, he delivered here a deep groovy thing with beautiful voice parts. and the final one is a very melodic tune by four walls from belarus, who already was released on kolour ltd and traxx underground.

we will use this opportunity to pressnt you the new record label tit0 (tit zero recordings) by serbias famous dj and producer dejan milicevic.

bleary faces is the debut ep of berlin based fabian dikof. as a youngster he learned his first basic skills in producing and deejaying from mr. andre lodemann himself. all of the tracks featured here are on a slow-house tip without losing their ruff edge through a massive bass foundation. it is all about progresssion with a strong emotional build up. deep-house veteran vincenzo is on remix duties here. he re-creates the main track bleary faces with a new theme enhancing the original with some more disco-influenced touches.

the shadowy uk techno artist, a sagittariun, releases his debut album this november, to coincide with the sagittarius zodiac period. dream ritual comes off the back of a steady stream of well received eps from the archer on his own elastic dreams label, releases that have captured the imaginations of the electronic community for their depth and diversity, where old techno breaks collide with detroit techno aesthetics, ambient dub sits alongside industrially charged electro, and many more sound palettes inbetween.

polymath james leyland kirby must surely have one of the most confounding cvs in the business: he spent years taking the piss out of the music industry with anthems rallying against the (vv)mcps, he notoriously fell out with various well known record labels for reasons you ll just have to google, goaded aphex twin with a series of tributes and channelled his love of everything from falco (rock me amadeus), chris de burgh, frankie goes to hollywood and stockport karaoke nights into a stream of increasingly bizzare 7 s back in the early noughties. but at the same time he was responsible for releasing some of the very earliest material from boards of canada (hell interface: 1997), made a ruck of frankly groundbreaking industrial electronic records, brought new beat to the worlds attention and, in 1999, made his first album as the caretaker, a project that would go on to release some of the most loved ambient/ lynchian albums of recent times.

the danse club label is fast becoming an essential deep house outlet thanks to a solid stream of originals and remixes from artists old and new alike including cherie lee, the burrell brothers and label bosses brodanse. here, said bosses team up with vocalist cari golden and resurgent beatsmiths groove armada for a huge new track that has already been road tested in ibiza and has drawn all the right reactions.

la fleur is a dj in the ascendant. now a resident dj at watergate in berlin (and with a brand new ep for their label ready to drop - more on that in minute!) she has balanced her craft and her electronic music production with precision and flair: all of this is the result of hard work and a constant stream of quality gigs across the world. for the uninitiated, la fleur took her first forays into the studio in 2008, with her remix of david ekenbaecks nairu on trunkfunk records but it was her solo debut, the flowerhead ep, for her own power plant label, which really rocketed her into charts and record boxes worldwide.

luckyme are proud to present champagne sounds the first in a two part series introducing a distinct new talent, young brooklyn producer sam obey aka obey city

belfast bass producer unknown who has built up a huge following with a steady stream of tunes on youtube and soundcloud, made his vinyl debut with last years #001-010 series on champion sound recordings, and now he returns to the label with his best and most diverse work yet, the i cry ep. the unknown trademarks – waves of sub-bass, expertly swung percussion and a dark, seductive and tense atmosphere – are all there, and he is pushing into new and fascinating territories too, with some brighter textures, house vibes and his first ever vocal collaboration on the stunning title track, *i cry*.

on and on the amsterdam based artist and events agency launch their new musical venture, on records. underground, deep, raw and surprising... the key words that form the on and on sound. with much love and passion for underground music, on records presents you high quality releases containing the real on and on sound! each will be released in vinyl and digital format! 001 sees on and on owner jeff rushin follow up a stream of well supported releases by teaming up with rising talent nicole rosie on the red velvet ep. hypnotic and atmospheric, the original and re-edit of red velvet are supported by an equally mesmerising rework from american artist audio injection.

animal collective veroeffentlichen ende mai mit ihrer 12 inch (+ download code) namens monkey been to burntown eine remix ep auf domino. die 4-track ep beinhaltet remixe von den songs monkey riches und new town burnout von ihrem letzten album centipede hz. neben einem gro?artigen edit von gang gang dance-mitglied brian degraw, finden sich remixe vom hip hop-kollektiv shabazz palaces, den new yorker dance-produzenten teengirl fantasy und dem chicagoer traxman!

in little over a 2 month campaign valentina has been so very received by radio with online press and print press too. she has crept into a couple of radio shows thus far with wolves being dropped on the phil & alice (radio 1) show already her online presence has grown from strength to strength since we launched an exclusive stream with gorilla vs bear. since that launch we have had such amazing feedback not only in the uk but europe and the row.

canadian producer/dj nathan jonson, aka hrdvsion, has been making increasing waves in the house world over the last few years with a stream of acclaimed releases for labels such as wagon repair and international deejay gigolo, and remixes for institutions like hypercolour and crosstown rebels.
his >i like the feeling you re giving me ep< for rinse encapsulates many aspects of his sound, drawing strongly both from detroit technos woozy, melody-soaked romanticism and the precision and intricacy of minimalist european house and techno. it is an intoxicating blend. its tracks are immediate and rhythmically compulsive enough to draw dancers deep into its groove, yet find jonson continually tweaking the musics depth of field to disorient the senses.

island rescue marks the first release from san franciscos dan judd under his sorcerer alias in three years. with this release on new diskotopia sub-label a kind of presence, sorcerer fuses his trademark californian balearic sound with influences gleaned from 70s afro-funk tapes for three new original tracks, backed up by myakkah and greeen linez remixes. strong support has been coming in for the release from the wire (who have played tracks from the release on their rewired radio show), spin magazine (who featured an exclusive stream of the release with a feature), jon tye, gold panda, magic touch, the beat broker, ben cook (fucked up, yacht club) and many more.

ezlv craft playfully luxurious extended-mix radio hits from the bi-curious, bygone dance-meets-soul era. its sound stream in song form, luscious and light, brought to juicy lime-life with cool-curated club samples, late 70s horn porn, and elegant dj creationism.

like their american third stream predecessors, the three musicians on stage, donald chifamba on cello, vimbai mukarati on sax and vocals and his brother tinashe on congas and marimbas, accompanied by the experienced pianist filbert marova, produced a kind of music that resisted any kind of stylistic pigeon-holing. it also mixed the influences of classical music and jazz but added in pop, soul and the melodies of their shona culture.

this fine low-profile label (white labels/stampbizz) is slowly gaining momentum with a steady stream of fine (deep) house releases that are being played out by established names. here we have some fine detroit influenced house tracks. limited pressing.

south london ordnance will return with an ep of dense house/techno mutations on september 24. the big boss theme ep contains three tracks on vinyl with an additional two digital-only cuts. stream the relentless ep below.slo recently told fact that >everything is shapes and textures for me, regardless of what it is, whether its marks on a piece of paper or stuff in the interface on logic<. this visual approach to music comes through on his space-conscious constructions. the immersive compositions share a intensity that sets the newcomer apart from his peers: the tracks are persistent but never exhausting. previously released >transmission funk< and >trojan< hum with industrial precision and dancefloor ecstasy, respectively.

benny rodrigues is not only a nice dude with his first 12inch for desolat. his recording career goes way back to early collaborations with afrojack or darko esser, as rod he releases on klockworks and clr, has remixed josh wink and dj pierre. the list can go on, but well focus on our lovely release here. somewhere between relentless prime time techno and stripped-down house grooves, with woozy chords carried on a jet-stream of tight rhythms, this is definitely our favorite benny rodrigues release. enjoy!

under the stewardship of alan fitzpatrick, 8 sided dice recordings continues to maintain its reputation as one of the most consistent techno labels to emerge in recent times thanks to a steady stream of well-received releases.

ow triple pack one contains 11 tracks from detroit influenced minimal techno to techhouse for a special price...

under the stewardship of alan fitzpatrick, 8 sided dice recordings continues to maintain its reputation as one of the most consistent techno labels to emerge in recent times thanks to a steady stream of well-received releases. the label operates as both a home for high profile artists and an outlet for emerging talent, striking a balance between output from fitzpatrick and that of his contemporaries, including contributions from rich jones, chris colburn, on/off, harvey mckay, hans bouffmyhre and nicole moudaber. established in 2008 as a vehicle for alan fitzpatrick to release his own music, 8 sided dice has evolved on an impressive trajectory in line with fitzpatricks own career.

killer release on new yorks sequencias label. powerful and hypnotic chicago acid inspired cut on the a and a cool slow building chord driven track layered over raw drum rhythms on the b-side. recommended!! label promo text: sequencias does not stop, does not conform, takes no prisoners. our third release brings you a pair of artists from two different points along interstate 94, who have a reputation for the very same. so lets get to it. the main body laid down by villan x is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. foreboding tones and feelings drift towards us across which the disembodied voice of kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated organ chords, but doesnt leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. this provides for the body and the mind. act fast though, sequencias does not like to rest.

fur the texan, born bryce isbell, extracts minutiae with precision. his compositions, while airily sparse, are saturated with details plucked from broad of landscapes, whether they resemble the texan prairie or the expanses of industrial germany. isbells composite micro-samples are infinitesimal, soaked in breathless allusion and divorced from their context. the crisp, insistently percussive arrangement oscillates like metal shavings manipulated by an unseen magnet. fur has untraditionally tapped into a eu techno mind-meld, a berlin thought-stream. after his early work with neon indian’s alan palomo as ghost hustler, isbell dove deep into minimal sounds that transported listeners closer to inner city detroit than the mid-west. unos first fur ep cocoon follows several years of isbell silence. after a notable debut with lefse, fur submerged below a sea of techno and came up with a deep analog style that has acquired fans in fred p and firecracker records with twisting house like >knots<. a second part in the fur saga on the way, uno has faith this young westerner will be putting a big texan stamp on the house scene to come.

the citizens bands second instalment for ramonas favourite label hollows their long lasting love affair. christian beisswengers (cb funk, one half of arto mwambe) is nothing less than dealing with the demise of an empire. >broken rome< is a codeine trip through early nu groove rave tracks as well as an ode to junior vasquez at the helm of the sound factory seen and heard through frosted glass. >densed< on the other hand tips its toes into the current deep house stream with an arto-mwambe-like hook and a thumping bass line. the spaces in-between those rudiments are taken up by the idm finger exercise and jewel that is >into<: ottoman dancing!

in just one short year coyote cuts has brought you a consistant stream of heavy hitting eps from artists all over the globe. this year for wmc we are back at it again with a slurry of digital releases (15 in total) all dropping within the two months leading up to the conference. in addition we bring you a very special release we have been waiting to drop by our very own corduroy mavericks. included is a great remix by the australian duo the house inspectors of the swingy single >dont ask me<. the b side gives a deeper jazzier side of the c. mavs boys with rainsong and bongo king. all will get plenty of use.
pressing ltd to 200 copies.

under the stewardship of alan fitzpatrick, 8 sided dice recordings continues to maintain its reputation as one of the most consistent techno labels via a steady stream of well-received releases. the label operates as both a home for high profile artists and an outlet for emerging talent, striking a balance between output from fitzpatrick and his contemporaries including contributions from rich jones, chris colburn, on/off, harvey mckay, hans bouffmyhre and nicole moudaber.

if you have been following graeme clark in his solo disguise as the revenge or the stream of 6th borough project 12-inches leading up to this one, you should know what to expect here—deep, blissfully hypnotic sampledelia with track flows governed by the laws of extreme repetition. its a shame that trance means a particular subgenre of electronic music, because that term applies just as much to the effects of these tracks as anything tiësto has ever played.
given the space, clark and craig smith are able to utilize this formula over a broad musical spectrum, creating music in the full-fledged sense, one that traces a landscape of tempos, styles and emotions and a menagerie of resurrected sounds conjures up images of dusty record shops and tattered vinyl, musical spirits captured on wax. awesome!

new single of the parisian trio on the franco-german label. the first track called dcl is a floating piece combining beautifull organ chords and breaking funky beats, setting on one hand a kind of religious scene and on the other hand giving the feeling to be a stream train at full speed! this is the track choosed by moritz piske, who did a jackin freaky remix out of it. got back is the other original track from the antislash. groovy baseline which reminds the remix they did for ribadisco on the salon records 02. avas verden put her voice with lyrics from her rockband lipstick, following the freaky acid lines. after their killer remix for tin man last year, we qre very happy to release this new project from antislash.

achtes und finales album der us-amerikanischen black metal/dark ambient-legende xasthur. mit einem gastauftritt der sängerin marissa nadler! limitierte auflage mit gatefold sleeve, handnummeriert und download code.

next detroit influenced techno - techhouse bomb on thoughtless music incl. huge someone else remix. don not call it a comeback: philadelphia techno legend and 611 records founder nigel richards drops three tracks of abstract late night warehouse music with his debut release on thoughtless. the title track works a chugging low-end and insistent percussion which combine to propel it through a vortex of intergalactic analog textures. taking time out from his busy release schedule for foundsound and little helpers, fellow philadelphian someone else turns in a deeply hypnotic rework that brings reverberant chimes to the foreground atop a bass line that refuses to quit. >deeeep< sees mr. richards exploring further regions of uncharted space by crafting a sleek techno vessel out of thick bass slabs and quicksilver high-hats, pushing forward as all manner of nebula and supernova stream past at light speed. one of the most influential names of east coast techno is back with a vengeance - fasten your space suit for zero-gravity fun...

the singular threads of the musical fabric that is barrio weedwagon are too numerous and long to trace the beginnings. however, the story does indeed have a start. the spark first took flame on a dance floor deep in the heliopolis favela of são paulo, brazil. after this initial shared out of body experience about 2012, barrio weedwagon can best summed up in these words: emerging from a black hole in the center of the milky way galaxy, the beings who would claim the name barrio weedwagon were awakened. the steady stream of organized radio frequencies from earth became a soothing and yet tantalizing lullaby for our heroes.

as one of the founding talents of james ruskins continuing blueprint records empire or richard polson and nick duntons seminal surface records, we at thema dont really think we need to remind you who oliver ho is. since 1996 he has released a steady stream of high quality, stylistically diverse, and highly dependable records on blueprint, his own meta, light and dark imprints, and such leading labels as klang electronik, macro, and poker flat that bridge the gaps between techno, tech-house, and deep exploration and always keep djs like us reaching for them when we need that not-quite-ordinary thing that keeps people moving.
comes on transparent / smokey marbled red vinyl.

the next ep on germany s hello? repeat imprint comes from seuil, one of paris s most inspired underground producers. in terms of style, it is a match that could hardly be more perfect. hello? repeat has spent the past six years carving a niche for itself with eps from cabanne, audio werner and label co-founder daze maxim, plus acclaimed albums by bruno pronsato and kate simko. seuil, meanwhile, has put out a steady stream of ultra-deep 12-inches on labels like freak n chic and sammy dees ultrastretch. both specialize in a sound that is modern, understated and hypnotic. late call is exactly what its name suggests: a record made for the deepest, most tender portion of the night. the drums are slick and punchy, but the rest is woozy and romantic–this is one to put on when the crowd has stopped chatting and everyone s dancing with their eyes closed. topping it off is a vocal line made famous by diana ross but recited here by an androgynous diva: if you need me, call me, no matter where you are, no matter how far… dark, trippy and weirdly moving, this is one of seuil s finest tracks yet. >slow motion< strikes a similar chord but with a more subtle approach. here you notice seuil s rare touch for subtlety: in the absence of any real >hook<, he keeps the track moving with expertly sculpted drums, a warm half-melody and a gently propulsive beat. soft chords sustain in the background to create a balmy summer night feel. both tracks show seuil and hello? repeat doing what they do best: delivering something deep, functional and full of character.